Russian music at Cadogan Hall![]() The concert began with a vivid performance of Rimsky-Korsakov's Russian Easter Festival Overture, full of excitement and colour: and then Tatiana Polianskyaya (the conductor's daughter) gave a crisp and witty performance of Shostakovich's Second Piano Concerto : Shostakovich wrote this for his son Maxim, and included some established advanced five-finger exercises (as the only way of getting his son to practise them) and a lively final movement which includes a theme in the unusual time signature of 7/8. Tchaikovsky's 6th Symphony - the 'Pathétique' - is so well-known that performances tend to be regarded as routine: not this one - riveting, committed, and played with a stunning precision, Poliansky made this a memorable experience. The third movement in particular, the exciting march, demonstrated very fast runs by the strings played in perfect synchronization, and a tightness of control combined with warmth of tone. The hall is nearer the size that Tchaikovsky would probably have expected, rather than huge modern halls which often have a drier and brighter acoustic, and this entire concert was something special: well worth braving the cold wind and the District Line for. Posted: Fri - February 13, 2009 at 10:25 AM by Roger Wilmut |
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Total entries in this category: Published On: Mar 11, 2016 05:00 PM |