WIRELESS OSCILLATIONS AND
AGGRAVATIONS (2 sides, 6'40")
BROADCAST 3133 recorded c. November 1931
AGGRAVATIONS (2 sides, 6'40")
BROADCAST 3133 recorded c. November 1931
TOMSKY THE GREAT COUNTER SPY
(Worsley & Kester)
COLUMBIA FB2303 recorded 26 October 1939
(Worsley & Kester)
COLUMBIA FB2303 recorded 26 October 1939
Tommy Handley became the nation's favourite radio comic with ITMA, the wartime series which did so much to boost morale. He had been a star of radio and music-hall, though a less prominent one, for many years before that. His first fame came with a music-hall sketch 'The Disorderly Room' in which army disciplinary proceedings were conducted in the form of new words to old songs. As a stand-up comic he was a bit old-fashioned, relying heavily on odd-sounding combinations of words as opposed to puns, though he did also use the more common type of gags, plus a touch of surrealism gained from his Liverpudlian background. On radio he did monologues, and in 1937 made regular appearances with Ronald Frankau in Monday Night at Seven; with ITMA from 1939 the brilliant scripts by Ted Kavanaugh and the support of a number of gifted comic actors he found a style which made him a top star.
His records inevitably aren't as effective as the best of his broadcasts, the effect being rather muted without an audience; the one early and one later recording I've chosen do give some idea of his style.
His records inevitably aren't as effective as the best of his broadcasts, the effect being rather muted without an audience; the one early and one later recording I've chosen do give some idea of his style.
(Mouse over the details for notes on each record)